(Bodo/Francisco/Representado por un actor/actor portrayal/D.R./All Rights Reserved)
El 2003 fue un año fenomenal porque recibí mi primer contrato con una galería en Estambul y mi carrera se hizo internacional de la noche a la mañana… Aqui algunos de los cuadros que pinté ese año…
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2003 was a phenomenal! That year I received my first contract with a gallery in Istanbul, and my career went international overnight… Here are some of the paintings I created that year…
(«Tres musicos»/D.R./All Rights Reserved)(«Jazz Fantasy»/D.R./All Rights Reserved)(«Celia»/D.R./All Rights Reserved)(«YaYa»/D.R./All Rights Reserved)(Manzana dentro»/D.R./All Rights Reserved)(Obras originales/Original works/de/by Francisco Bravo Cabrera/Bodo Vespaciano/Derechos Reservados/All Rights Reserved)
Uno de los expresionistas que llevó el expresionismo a un nivel diferente al de los demás. Oskar Kokoschka, nacido en el Imperio Austrohúngaro en 1886, distorsionaba la naturaleza en sus lienzos, pero no porque renegaba de ella, como sus contemporáneos, sino porque la amaba. Es uno de los grandes del genero. Estudió tres años (1905-1908) en la Escuela de Artes y Oficios de Viena… Sus referentes, Gustav Mahler, Gustav Klimt y Sigmund Freud, se hacen muy relevantes, y obvios en sus pinturas, especialmente en sus retratos y autorretratos… Kokoschka fue pintor, dibujante, poeta, dramaturgo , Kokoschka y escritor, publicó su primer libro en 1908, «Los muchachos soñadores», un libro de poemas.
En 1912 publicó su ensayo titulado “Von der Natur der Gesichte” («Sobre la naturaleza de las visiones») en la Akademischen Verband für Literatur und Musik en Vienna. El ensayo esquematizaba su concepto del arte y la relación entre la visión interna y la que el ojo (externo) ve. Kokoschka decía que la inspiración artística brotaba de lo que el artista ve en su ambiente diariamente, pues lo que ha visto deja una huella en el subconsciente y esta estimula la imaginación. Así creaba Kokoschka. Además creía que el observador tenía que interpretar la obra basándose en su experiencia y sus vivencias. Plegado al pensamiento de Wassily Kandinsky y su teoría de la espiritualidad en el arte, Kokoschka fue el pintor psicoanalista de su época.
Ahora, si no sabias esto, ya lo sabes y si lo comprendes comprenderás no solo a los expresionistas vieneses pero a todos los expresionistas.
Oskar Kokoschka vivió no solo en Viena, pero también en Dresden, Berlin y como veremos, en muchas otras ciudades. Ingresó al ejercito de voluntario cuando estallo la primera guerra mundial incorporándose a un regimiento de caballeria. Fue herido gravemente en batalla, pero siguió pintando y desarrollando su talento… En 1934 tuvo que fugarse de Austria porque los Nazis lo consideraban un degenerado, debido a su arte, y partió hacia Praga. Pero pronto el ejercito Aleman comenzó a reclutar en Checoslovaquia y Kokoschka tuvo que volver a fugarse esta vez al Reino Unido… Después de la guerra viajo a EEUU y no regreso a Europa hasta 1953, eligiendo vivir en Suiza hasta el fin de sus días. Murió en 1980 en Montreux.
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I present to you one of the expressionists who took expressionism to a different level than most of the others, Oskar Kokoschka. He was born in the Austro-Hungarian Empire in 1886. Kokoschka distorted nature in his canvases, not because he rejected it, or despised it, like many of his contemporaries, but because he loved it. He is one of the greats of the genre. He studied for three years (1905-1908) at the Vienna School of Arts and Crafts… His influences, Gustav Mahler, Gustav Klimt and Sigmund Freud, become very relevant, and obvious in his paintings, especially in his portraits and self-portraits… Kokoschka was a painter, draftsman, poet, playwright, and writer, he published his first book in 1908, «The Dreaming Boys», a book of poems.
In 1912, he published his essay titled «Von der Natur der Gesichte» («On the Nature of Visions») in the Akademischen Verband für Literatur und Musik in Vienna. The essay outlined his concept of art and the relationship between internal vision and what the (external) eye sees. Kokoschka stated that artistic inspiration sprang from what the artist sees in their daily environment, which leaves a trace in the subconscious and stimulates the imagination. This is how Kokoschka created. Furthermore, he believed that the observer had to interpret the work based on their own experiences and life events. Aligned with Wassily Kandinsky’s thinking and his theory of spirituality in art, Kokoschka was the psychoanalyst painter of his time.
Now, if you didn’t know this, you know it now, and if you understand it, you will understand not only the Viennese expressionists but all the expressionists.
Oskar Kokoschka not only lived in Vienna, but also in Dresden, Berlin, and as we will see, in many other cities. He joined the army as a volunteer when the First World War broke out and served in a cavalry regiment. He was gravely wounded in battle, but continued to paint and develop his talent… In 1934, he had to flee Austria because the Nazis considered him a degenerate due to his art, and he headed to Prague. But soon the German army began recruiting in Czechoslovakia, and Kokoschka had to flee again, this time to the United Kingdom… After the war, he travelled to the US and did not return to Europe until 1953, choosing to live in Switzerland until the end of his days. He died in 1980 in Montreux.
(2022)
(2022)
(Doble retrato/Double portrait de/of Hans y/and Erica Tietze-Conrat/1909)
(Bodo Vespaciano en Francia/in France/El verdadero Bodo/The real Bodo)
Fue un año de muchos viajes, muchas exposiciones y muchos cuadros que ya iban cogiendo otra dimension y rumbo en la pintura de Bodo Vespaciano… Aqui algunos de ellos…
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That was a year of many trips and many exhibitions as well as painting a lot and the paintings were already growing in other dimensions and taking a new route. This was some of the work of Bodo Vespaciano that year…
(«The Critic»/D.R./All Rights Reserved)(«Zapaticos»/D.R./All Rights Reserved)(«Luz-Sol»/D.R./All Rights Reserved)(«Rubia la negra»/D.R./All Rights Reserved)(Obras originales/Original works/Bodo Vespaciano a.k.a. Francisco Bravo Cabrera/Derechos Reservados/All Rights Reserved)
(«El artista junto al mar»/Francisco Bravo Cabrera/Derechos Reservados – «The Artist and The Sea» by Francisco Bravo Cabrera/All Rights Reserved)
Primero hazte la pregunta:
¿Soy un artista?
Y responde (con una de estas tres respuestas):
Bueno, creo que lo soy…
Es lo que quiero…
¡Sí soy un artista!
Entonces a crear. Si eres artista/pintor entonces pinta, pinta y pinta más y más ad infinitum. Pinta cuando te levantes, pinta todo el día y vuelve a pintar antes de acostarte y el próximo día lo mismo. Llegarás a transformarte en un artista. Y no pienses que ahí se acabó, de eso nada monada, porque el artista tiene que reivindicarse con cada obra, no es un titulo honoris causa in perpetuum.
Así que manos a la obra…
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The first question you must ask yourself is:
Am I an artist?
Answer it:
I think so…
Well, what I mean is that I want to…
Yes, yes, I am an artist.
So now forget about everything else and create. If you are an artist/painter then paint, paint, and paint some more and a lot more. Paint when you wake up. Paint all day. And before going to bed, paint. The next day repeat the same thing, ad nauseam. You will eventually become an artist. And don’t think that’s the end of it, not at all, because the artist has to revindicate himself with each work, it’s not an honorary title in perpetuity.
(Bodo/Francisco/Representado por un actor/Actor portrayal/D.R./All Rights Reserved)
Pues hoy nos remontamos al 2005… Estas son algunas de las obras que pinté ese año en Miami, Florida…
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Well, today we take a look back to 2005… These are some of the paintings I did that year in Miami, Florida…
(«Huracán»/D.R./All Rights Reserved)(«La violinista»/D.R./All Rights Reserved)(«Listening»/D.R./All Rights Reserved)(«Yellowheads»/D.R./All Rights Reserved)(«Mírame»/D.R./All Rights Reserved) (Obras originales/Original works/de/by Francisco Bravo Cabrera/Bodo Vespaciano/Derechos Reservados/All Rights Reserved)
In case you did not know, I will tell you. Joni Mitchell paints and she ain’t bad at it. This Canadian singer, producer and visual artist was born in Alberta in 1943. She has had a long and very fruitful musical career, starting in Toronto and then moving south to New York, and from writing the song «Woodstock» to later evolving into pop and jazz to becoming one of the most respected singers of the Twentieth Century.
Today I am featuring Ronnie Wood. You do know him, right? He plays guitar. But in case you did not know, I will tell you that he is 76 years old and still rocking (since 1975) with what many people think is the bloody best Rock and Roll band in the world, The Rolling Stones. But he also paints and the man is not that bad at it as you will see.
(The Independent)
Ronnie is a Gemini born June 1, 1947 in Hillingdon, Middlesex, England. He played guitar with The Faces, fellow bandmate was Rod Stewart, later with The Jeff Beck Group. He actually began with The Birds back in 1964. Wood recorded his first solo LP «I’ve Got My Own Album to Do» in 1974 with a little help from his friends George Harrison and Keith Richards. It was Richards that later invited him to replace Mick Taylor and Ronnie Wood has since that day been a permanent member of The Rolling Stones.
(www.ronniewood.com)
But as it turns out Wood has been an «artist» since he was a lad. He studied art at Ealing Art College. Will it surprise you to know that musicians the likes of Freddie Mercury and Pete Townshend also attended the same school during the 1960’s? Well, they did. Ronnie Wood created the cover art for Eric Clapton’s album Crossroads in 1988.
Wood has also published three books. One is a collection of anecdotes titled «The Works» with his own illustrations, co-authored with Bill German and published in 1988. The second one is an art book titled «Wood on Canvas: Every Picture Tells a Story» (1998). And the third one is his autobiography of 2007, co-authored with Jack MacDonald and Jeffrey Robinson.