JaZzArt en València

Desde Madrid con amor…

Saludos desde Madrid…

¡Buenos días desde Madrid!

¡Felices Fallas!

Ya están llegando las fallas …

Comenzamos el año, y la temporada 2026, de la revista online LatinosUSA (English/Español) que os invita a colaborar con nosotros. Somos parte de la gran red de revistas online bajo el sello de MASTICADORES, creada por nuestro editor y jefe, Juan Ré. Llamamos a poetas, escritores y artistas que participan en cualquiera de las bellas artes para invitaros a publicar en nuestra revista. Publicamos diariamente.

Y a ti, si te interesa, únete a nuestro extenso grupo de colaboradores del mundo entero. Mándame un email y te explicaré el proceso.

Francisco Bravo Cabrera, editor de poesía: ArribaPamplona@gmail.com

GRACIAS

MASACCIO

Today I would like to talk to you about an Early Renaissance painter from Italia that no one talks about a lot but who is important for art history and I think you should know more about him, or if you do not know anything about him, you should…

Masaccio, born Tommaso di Ser Giovanni di Simone in 1401 in San Giovanni Valdarno, in the region of Tuscany. He died in Rome in 1428…

Masaccio was a painter of the Early Renaissance who, although he had a brief career, transformed the course of Western art. He was born near Florence, and he trained in Florence. Masaccio quickly gained recognition for his innovative use of perspective, naturalism, and light. He rejected the Gothic stylization which was still common in his time. Masaccio was a pioneer of a new visual language that emphasized three-dimensional space, volumetric figures, and psychological realism.

His most important works include the Brancacci Chapel frescoes in Santa Maria del Carmine, Florence, where scenes such as The Tribute Money and The Expulsion from the Garden of Eden demonstrate his mastery of perspective, emotion, and storytelling. He also collaborated with Masolino and may have been influenced by Brunelleschi and Donatello, as he shared with these Renaissance greats an interest in proportion and classical harmony.

Masaccio’s career was tragically short as he died when he was about 26 or 27 years of age. However, his innovations surely influenced later masters such as Fra Angelico, Filippo Lippi, and especially Michelangelo. It can be safely said that Masaccio’s work marks the true beginning of Renaissance painting, bridging the medieval and the modern.

I think you will agree with my assessment of this great Italian master.

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CHEERS

Desde València, ¡Feliz día! Acuérdense que hoy puede ser un gran día.

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From València, have a happy day! And remember that this can be a great day!

BLUES DE BEALE STREET Las telarañas de febrerodesordenan el frío.Sollozan adoquines.Abandonados edificiosen las sombras se encogencomo animales …

Regresa el poeta cubano de Miami: Héctor Maldonado

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