Give yourself a chance, while running through the rat race we call life, don’t let it pass you by. Try! Try! Try! I thought I saw two roosters fighting, feathers flying, sharp spurs cutting flesh, one rooster dying,
The mystery that nobody can explain is that the love that hurts is love that’s gained…
lead rips a hole… and a bullet becomes a modern crucifixion, a nail through the heart…
Love is a hurting thing, so we better love apart and love to win…
I thought I saw her claws Ripping my flesh, stretching her fingers through The mirror…
Give yourself a chance, after all, what can we do but dance? Dancing on the gravestones of those lost so long ago…
Now, if it would only Rain…
Think we’ll start a revolution? Think anyone cares?
A sunflower looks at the Moon, And summer cannot come too soon and ease the fears…
Trying is not hard enough, Love has hidden beneath the rough deep, deep waters of the lake that you can’t see Because it belongs to me… Selfish cries, I, me, mine, repetitious, sarcastic, realistic and so boring.
What is happening to people like me? People like me are getting harder to see. We’re surfing the mountaintops, and climbing high summits under ocean waves, while ecstasy’s the rave and brain cells are dying…
Without a thought in mind, they’re lying in their dreams and dream of finding something, undefined, never written, unknown to everyone and too ridiculous…
The darkness of the room collides with good intentions, with inventions, and abstentions, and finds a hole in your head through which it can find a neuron, dead and looking like a dragon’s head but wiithout fire…
Ire! Yes! Desire has taken a holiday, your caresses have found a lonely cloud nine million miles from where my skin should be, There’s no more hugs from me. Is that what’s happening to people like me?
C.2020, Francisco Bravo Cabrera, Valencia, España
(I wrote this poem on the 20th of March, 2020, six days after the confinement in Spain due to the declared pandemic. I guess we’ll all forever remember COVID-19…)
(Image property of Francisco Bravo Cabrera/All Rights Reserved)
Here is the metal print of this, one of my surreal-expressionist Jazz Art images. It is now available, through Fine Art America, as a fine art print, affordable and quite nice. There are other types of prints and other things as well. Check out my gallery at Fine Art America. This company handles the sale and quickly ships to you.
Incluyendo su último autorretrato y otras mas que estan estupendas, o muy feas, no se, al fin y al cabo son obras del genio del S. XX…
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Including his last self-portrait and others that are incredible, or incredibly ugly, I don’t know, after all they are the works of the genius of the XXth Century…
(No olvidéis darle el «like» – Don’t forget to like)
(Art Digital original «The Artist and the Muse*» by Francisco Bravo Cabrera/All Rights Reserved)
I have some questions for all who wish to reply…
Does art mix with politics?
Should artists get involved with politics?
Can art, (not that which is made for political propaganda) influence others politically or socially?
If you thought that artists should not get involved with politics, can you tell me who should?
If you thought that art does not mix with politics, can you tell me what does mix with politics and what mixes with art?
I look forward to your opinions, and please, always remember that the only thing we proffer is opinions, there are very few facts out there.
Cheers…
* This painting depicts the artist (I thought about doing a portrait of Francisco Goya) in a pensive mood, seemingly floating on the blue waters of a «creative» sea, while the «muse» looks from the side, taking on a rather sinister appearance…
(«Ballerinas In The Night» by Francisco Bravo Cabrera/All Rights Reserved)
The image you see above is the acrylic print of «Ballerinas In The Night» and through Pixels/Fine Art America, the only place where you can get my images as prints, there are more ways this image can hang on your wall… I have selected images from my original works and have allowed Pixels/Fine Art America to transform them into fine art prints in an effort to make original art more affordable to all. Check out my gallery and visit often as I often change the images I place there. Pixels/Fine Art America handles the entire transaction and ships quickly.
Remember original art is the best gift during the holiday season and fine art prints are a way to have and give original art at very affordable prices…
(Joan Mitchell/Unknown author/1942/ Francis W. Parker School yearbook p. 50/Public Domain)
Well, as I have been doing since I started VALENCIARTIST, I will bring forth to you artists that have made history, are making it and will one day do so. But especially women artists that, although recently recognised, have not been given the same place in Art History as male artists. And this has to change as there are great women artists out there right now and I assure you there have always been. However, they didn’t tell you that in Art School, nor in the art magazines, museums, or catalogues. No, not even your grandmother told you. No one did, but I am going to tell you now and prove it to you…
For example, here you have Joan Mitchell. Did you know her? No? I didn’t think so, but today you are going to get to know a bit about her. She was born in Chicago, Illinois in 1925 and her work is associated with the North American Abstract Expressionist movement in art. She participated with the “School of New York” during the 1950’s. This was a group of artists, dancers, poets and musicians who during the 50’s and 60’s were active in New York and whose works were influenced by surrealism, poetry and jazz. (My kind of folk)… She attended some classes at the famous Chicago Art Institute. And after receiving a scholarship she left for Europe where she studied in France, Spain and Italy. By that time her work was completely dedicated to abstract art.
Although Mitchell began her career in New York, she relocated to France in 1959 and there she lived and developed her long list of successes in art. In 1982 she was given a solo exhibition at the Musee d’art moderne de la Ville de Paris, making her the first North American woman toe ver have received such an honour.
Mitchell passed away on the 30th of October 1992 of cancer in Paris. She always remained faithful to the search within abstract art, from the 1950’s to 1992 when she died.