Artists Series, page 3: Kandinsky, part 2

(«The Blue Mountain» a bucolic painting from 1908/Wassily Kandinsky/image cuadrosfamosos.es)

As I showed you yesterday, Kandinsky did not start off as a painter and when he did he did not start as an abstract painter. He started by painting fauve style landscapes. But little by little the power of the colour began to replace the need to be so figurative. «The Blue Mountain» begins to demonstrate that transition, if you will, from figurative to abstraction…

Wassily’s grandmother was from the aristocracy and Mongolian and his mother was from Moscow. His childhood was spent between Moscow and Odessa and in that city, where the moved to in 1871, he studied piano and cello…

In 1901, having moved to Munich, he founded the group Phalanx. This was basically a group of artists that had joined together to bring to Munich the vanguards of art from Paris. In 1902 he exhibits for the first time in Berlin. Then in 1904 he exhibited in the Salon d’Automne (an exhibition celebrated yearly in Paris since 1903).

(«Der Blaue Reiter»/»The Blue Rider»/1903).

«The Blue Rider» was one of his most important paintings of the early part of the XXth Century. It is believed by some art historians that there is a second figure, perhaps a child, that the rider is holding tight. Or it could only be a shadow. But this intentional ambiguity, allowing the observer to actually complete the work, became something Kandinsky used in other works subsequently and which reached its peak in the abstract period of 1911-1914. As you might notice, the rider is nothing more than splotches of colour and lacks any specific details. This painting indicates the route Kandinsky would take with his art soon enough.

In 1911, together with Franz Marc and other artists, Kandinsky founded an expressionist/expressionism movement in Munich and called it Der Blau Reiter (The Blue Rider). This movement transformed German expressionism.

This is one of the fundamental parts of his career as a thinker and as a painter. For me it is one of the things that make him a reference as I consider myself an expressionist artist. The other is abstract art, which I love and which I am practicing to develop. In other words, Kandinsky is still teaching me to reach out and become a fuller, more complete artist. So his influence for me is dual, on the one side the study of colour and forms in the creation of abstract art and the other is the philosophical/spiritual aspects of art which to me are implacable and most needed.

PART THREE IS COMING IN THE NEXT EDITION OF ARTISTS SERIES

(«Rotterdam Sun» 1906)

CHEERS…

#art, «Mirror Moon» As a Fine Art Print…

(Image property of FBC/OCS Valencia/All Rights Reserved)

Fine art prints are high quality reproductions of original works. My work is only made into fine art prints by Fine Art America. There are many ways to make fine art prints, the one you see above is «Mirror Moon» as a «metal» print, but there are other types as well, check them out. And also check out my gallery at Fine Art America where I have selected several of my work to be made available, quite affordably. Fine Art America handles the entire transaction and they ship quickly to you.

(Image featured is property of FBC/OCS Valencia/All Rights Reserved)

CHEERS…

#art, Artists Series, page 2: KANDINSKY (Part One)…

(Foto/Photo Centre Pompidou)

I know there are many blogs dedicated to inform or to critique art, contemporary and/or historical and I do too, so let’s get into it…

The «Artists Series» began yesterday with Robert Lenkiewicz, and continues today with an artist that I have always admired and who is one of my main references. Wassily Kandinsky, the creator of abstract art…erroneously…who was born in Russia en 1866. He did not start life as an artist but as a lawyer. He must have been a good one because he was offered a professorship at the University of Dorpat, the oldest law institution in Estonia. But he turned it down and turned to painting instead. He was thirty years old at the time.

He moved to Munich in 1896 where he studied at the Munich Academy of Fine Arts. But very soon (1914) the Great War broke out and he returned to Moscow. Shortly after, the Russian revolution took place and Kandinsky joined… more or less… Anatoli Lunacharski’s cultural administration (Commissioner of Education of Soviet Russia) and even helped to found the Museum of Culture of Painting.

However, his spiritual beliefs and his sense of realism did not fit with the materialism of the communists. After all, the communists do not allow the minds of their indoctrinated to be diluted with other ideologies. Kandinsky cleverly returned to Germany in 1920. He was a professor at the Bauhaus School (art and architecture) from 1922 until the Nazis closed it in 1933. In Germany, he created his best works…

Here are some of his early works of figurative (landscape) art, probably from 1902 to 1909…

(Foto/Photo El Mundo)
(Foto/Photo Todo Cuadros)
(Foto/Photo es.wikipedia.org)

On our next programme, part 2 of Wassily Kandinsky…

Now watch this…

(2022)

CHEERS…

#opinion, Who is «illegal» and why?

(Art Digital by Francisco Bravo Cabrera/All Rights Reserved)

Does a man commit an illegal act by climbing over a fence to enter a country that can offer a better life for himself and his family? Should there even be such a fence? The struggle for existence is a hard one for many people in many places of the world that have been ruined by wars, communism and other destructive forces. So, is it a crime to want to leave? Should we not all try to seek higher ground? Don’t we have a duty to ourselves and to our families to provide as best as we can?

The United States, the United Kingdom and most of Europe is a haven for people seeking shelter from the ravishes of disastrous countries of the Third World. Our countries are considered First World, industrialised, civilised and developed and with the capacity to absorb whatever the world can throw at them. Especially the United States. Europe is the old continent. We are settled people with roots that go back to pre-history, but the US is a new land and a large one, where everybody, including the Indians, arrived from somewhere else. So in a most direct, historical way, everybody there was, at one time, an «Illegal» alien.

But the term «illegal alien», which many in the US choose to use to dehumanise those who would come to seek a better life in the US, is an ugly title indeed to place upon any human being. As I have seen and heard, many, probably led by the virulent ideas of Donald Trump, think that those who would cross the US/Mexico border are nothing more than scoundrels who wish to come to their country to pillage and destroy. But nothing could be further from the truth. Those are racist thoughts fuelled by hate and fear.

Immigrants come to work. Those on the other side of the fence are families, children, young men and women who also deserve a piece of the pie. They have committed no crime to be labelled as illegal or as aliens and they have a right to be there. And why? Because the US is a land of immigrants and the greatness of the country is thanks to its being open to immigrants from all over the world. Should the US close itself to immigrants it would not function as it has for the last hundred years of its existence.

It’s about time that all of us start thinking that we do not own the world. Everybody else has as much right as we do. Hating them does nothing but rot our soul, destroy our spirit and places us at odds with God Himself who so loved the world…

CHEERS…

#art, Artists Series (p.1) «Robert Lenkiewicz»

(Image Terry Warne)

Robert Lenkiewicz was born in London in 1941, son of Jewish refugees that fled from Nazi Germany… At 16 years of age he was accepted at Saint Martin’s School of Art and later attended the Royal Academy of Art… He relocated to Plymouth after his neighbours in London complained that he allowed drug addicts, derelicts, and who knows who else to shelter in his studio… He gained recognition with his giant mural on Plymouth’s Barbican (1970’s)…

(Image RobertLenkiewicz.com)

In the 1990’s he began to get more and more recognition… 42.000 of his countrymen attended a retrospective of his art in 1997 at Plymouth City Museum and Art Gallery… He died in 2002 of a heart attack with only £12 and a huge debt… Some media reports placed Lenkiewicz’s estate somewhere around £6.5 million. Maybe because of his library of antique books on witchcraft, the occult, metaphysics and medieval philosophy. Yet when Sotheby’s auctioned the entire estate in 2003 it raised less than £1 million.

SOME OF THE WORK OF ROBERT LENKIEWICZ

(image Pinterest)
(image Por amor al arte)
(Image robertlenkiewicz.com)

He never cared about courting the London art crowd or acceptance from anyone who would not accept him on his own terms. A true artist.

(Sorry but I could not find the dates of any of the work, except for the mural and even that was just in the 1970’s)

CHEERS…

#art, «The Composer» Is Now a Fine Art Print…

(Image property of FBC/OCS Valencia/All Rights Reserved)

«The Composer» as an art print, is a new work that I have uploaded to my gallery at Fine Art America, the only company that does my fine art prints, who handles the entire transaction and who ships to you quickly. This is a great way to support original art at affordable prices. Check out my gallery at Fine Art America often as I often revise the work I upload.

(Image property of FBC/OCS Valencia/All Rights Reserved)

CHEERS…