JaZzArt en València

Por eso el pasado nunca se debe ocultar por muy feo que haya sido… ¿No?

In general terms I would say that The Summoning Trumpet of Jazz is a striking, emotionally charged piece with a strong sense of rhythm and movement…

The composition, (JazzArt) has many interlocking layers, as a surrealist painting should. There are overlapping profiles, curved forms, faces, instruments, and abstract shapes, compressed into a shallow picture plane. This creates tension and intimacy. And the profiles facing different directions gives a sense of multiple perspectives or voices coexisting at once. As in Jazz.
The trumpet is the composition’s structural axis, as it cuts diagonally through the image and stitches the figures together. Nothing exists in isolation. Each shape bleeds into another. This suggests interconnected identities or shared experience.

Colour, which for my style is fundamental, is one of the most powerful elements here: Primary and secondary colours dominate: (red, yellow, blue, green, purple),. They give energy and immediacy. And the colours are expressive rather than naturalistic. In other words, they reinforce emotional meaning over realism. The warm colours (reds, yellows) push forward, while cooler blues and greens recede. This creates depth, as I do not use traditional perspective. And the red is very important as it appears in faces and hands, suggesting intensity, passion, or sound made visible.

The composition includes multiple faces. Some may appear to be calm, others perhaps melancholic. It is a suggestion within the composition: Inner dialogue, different emotional state, or a collective memory/shared cultural voices.

Then there are the renewal of some of my early trademarks, the swirling decorative lines (especially around the heads). These can be taken to represent: sound waves, thoughts, or spiritual energy. After all, within the surrealistic-expressionist quality of the composition, sound, emotion, and colour merge.

The style of the work aligns with Cubism and Expressionism, but there is much symbolism within this composition. This renders the work totally within my Surreal-Expressionist JazzArt style. I have used folk tradition as well, especially the swirling patterns, but they serve an expressive, narrative purpose rather than a purely formal one.

I would like to think of The Summoning Trumpet of Jazz as being pretty intense and harmonious. It is not chaotic, though it might give that impression. It is orchestrated, as a jazz song for a quintet would be. The different instruments, all ready to improvise and solo, but working as a single musical unit. Art and music unified in a memory of sound and emotion.

The Summoning Trumpet of Jazz calls you to share its energy and emotional depth. The observer can linger and interpret, but not consume rapidly this composition. I am trying to express an experience. The experience of jazz, a live performance filled with the solid unity of the group and the individual brilliance of the soloist.

CHEERS

Well, as far as I am concerned, art is the way I have lived all my life, and it has been with me through all facets of my life… Through relocations, through war, through work, through uni, through love and through the ever changing cycles and through my awareness and learning and mostly my gratitude.

CHEERS

We at LatinosUSA (English and Spanish Editions) are extending an open invitation to all who would like to see their works published in our online magazine. LatinosUSA is part of the great network of online magazines under the MASTICADORES seal. We publish every day and would like to have you join our extensive list of collaborators from all over the world.

All interested please email me, Francisco Bravo Cabrera, Poetry Editor at:

ArribaPamplona@gmail.com

CHEERS

WINTER SPEAKS
(Based on Vivaldi’s “Winter”)

The ground is frozen and still,
and the wind strikes hard,
the earth holds its breath,
as the air becomes a cutting sound.
Footsteps marking time in stinging air,
Cold fingers ache to feel the flames soft warmth,
while nature lies stripped,
bare,
laid fair.

While inside the flames resist the night,
snow taps glass with muted might.
Brandy’s comfort swirls in brilliant glass,
and hums in peace,
a sheltered space,
while storms patrol the world’s hard face.
Ice will soon betray the hurried step,
the sky releasing now what it has kept.
Winter speaks in steel and snow,
a trial endured, then let go.

Francisco Bravo Cabrera – 06 JAN 2026 – Valencia, España

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Brief Synopsis of “Winter” from The Four Seasons

“Winter” (L’Inverno), the final concerto of Antonio Vivaldi’s The Four Seasons (1725), depicts the harshness and stillness of winter through vivid musical imagery. The first movement portrays bitter cold, chattering teeth, and stamping feet against freezing winds. The slow second movement offers a moment of respite, suggesting warmth and shelter by the fire while rain falls gently outside. The final movement returns to tension and motion, evoking slipping on ice, cracking frost, and the relentless force of winter storms. Throughout, Vivaldi uses sharp contrasts, rhythmic urgency, and textural effects to create a highly programmatic depiction of the season.

Brief Biography of Antonio Vivaldi

Antonio Lucio Vivaldi (1678–1741) was an Italian Baroque composer, virtuoso violinist, and Catholic priest, born in Venice. Nicknamed Il Prete Rosso (“The Red Priest”) due to his red hair, Vivaldi composed hundreds of concertos, as well as operas, sacred music, and chamber works. He spent much of his career associated with the Ospedale della Pietà, a Venetian institution for orphaned and abandoned girls, where he trained and composed extensively for its renowned ensemble. Although celebrated during his lifetime, Vivaldi fell into obscurity after his death and was rediscovered in the early 20th century. Today, he is recognized as one of the most influential composers of the Baroque era.

CHEERS

Comenzamos el año, y la temporada 2026, de la revista online LatinosUSA (English/Español) que os invita a colaborar con nosotros. Somos parte de la gran red de revistas online bajo el sello de MASTICADORES, creada por nuestro editor y jefe, Juan Ré. Llamamos a poetas, escritores y artistas que participan en cualquiera de las bellas artes para invitaros a publicar en nuestra revista. Publicamos diariamente.

Y a ti, si te interesa, únete a nuestro extenso grupo de colaboradores del mundo entero. Mándame un email y te explicaré el proceso.

Francisco Bravo Cabrera, editor de poesía: ArribaPamplona@gmail.com

GRACIAS

El murciélago, símbolo de València… demostrando que de quien menos te lo esperas te viene un inesperado apoyo. Hay que tener fe.

(Francisco Bravo Cabrera)

Lights in the Winter Darkness For many of us December isdark and coldwith the shortest day of the year.Are we the Christmas lights?Beautiful to …

A Beautiful Winter Poem by Pat Alderman (Editor Francisco Bravo Cabrera)

We at LatinosUSA (English and Spanish Editions) are extending an open invitation to all who would like to see their works published in our online magazine. LatinosUSA is part of the great network of online magazines under the MASTICADORES seal. We publish every day and would like to have you join our extensive list of collaborators from all over the world.

All interested please email me, Francisco Bravo Cabrera, Poetry Editor at:

ArribaPamplona@gmail.com

CHEERS

Comenzamos el año, y la temporada 2026, de la revista online LatinosUSA (English/Español) que os invita a colaborar con nosotros. Somos parte de la gran red de revistas online bajo el sello de MASTICADORES, creada por nuestro editor y jefe, Juan Ré. Llamamos a poetas, escritores y artistas que participan en cualquiera de las bellas artes para invitaros a publicar en nuestra revista. Publicamos diariamente.

Y a ti, si te interesa, únete a nuestro extenso grupo de colaboradores del mundo entero. Mándame un email y te explicaré el proceso.

Francisco Bravo Cabrera, editor de poesía: ArribaPamplona@gmail.com

GRACIAS