JaZzArt en València

¡Salud! Y saludos desde Ronda!

Here is the metal print of this, one of my surreal-expressionist Jazz Art images. It is now available, through Fine Art America, as a fine art print, affordable and quite nice. There are other types of prints and other things as well. Check out my gallery at Fine Art America. This company handles the sale and quickly ships to you.

OMNIA CAELUM STUDIOS VALENCIA PRESENTS:

Cheers…

My good friend, fellow poet and featured artist in my upcoming book, “One Petal At A Time,” Francisco Bravo Cabrera (aka Bodo Vespaciano, https://…

Interview With Francisco Bravo Cabrera, Featured Artist In My Upcoming Book

I always thought that artists (painters and sculptors) only had to display their works and with that they said it all. However, as you can see, here we are talking away, theorising and explaining. Art History (as an academic course) has become too long and too coarse. It collects, like a rubbish bag, everything that they throw into it. Styles of art are mostly defined by critics, «professors,» and journalists supposedly specialised in writing about art. I will tell you what I think of each of those groups.

First the art critics. To this group I give very little value and very little time. I can do without them and I wipe my nose with their critiques. We all know how to judge and how to determine what we like or don’t like, so we do not need a parrot to tell us what is good or not or to guide us. Second, the supposed teachers or professors. Well, this group is seemingly very important because they are to teach art students and guide them towards becoming artists. But they lose all their value when, in place of teaching the fundamentals, they serve as advocates for their own favourite style or artists. This creates students that really do not know much about making art, losing sight of the fundamentals of painting, sculpture, lithography or ceramics.

The art journalists, or those who write about art. Being those that tell us about openings, dates, times, the artist or artists involved. They are good for that, to help us fill in dates in our calendars to go see an exhibition, or not. But they go further, they promote those they like, or those that seem to be in the present «vanguard» and ignore the rest like the plague. Most of these «journalists» are frustrated or failed artists themselves. They probably failed because they did not work hard enough or dedicate enough time. Art requires hard work, and talent is only developed through sweat, effort and time. One is not born with talent, one develops it if one is interested in what they are doing. So I really do not have many good things to say about those who only write about those in the current mix (or those who pay them). Great journalism I’d say!

OMNIA CAELUM STUDIOS VALENCIA PRESENTS:

Cheers…

On the beach at Cádiz, España 🇪🇸

¿Os parece?

AND THEN THERE’S WATER

Is it sad
to go looking through the ashes? The fires of passion once were crystal clear and pure with dancing flames that consumed us but strengthened us. Heat that paced the rhythm of our hearts; annihilated the oxygen in the air. It left behind just dust…

What could we ever hope to find?

I never kept my word.
Bad, late and never I repaid you. And I never wrote you a love song, never will…

Which god denied us happiness?
Was it the one who stole our innocence and plundered our wonder?
Was it because we climbed his Tree and satisfied our hunger with its tiny fruits?
We just wanted to taste them, discover their flavour, bite through their skin and let their juices moisten the silken robes that we slept in…

And then there’s water…
Water puts out fires. And the years? They whiten the sunburn of a summer’s love…

It’s me that now, with sweat-stained fingers, that winds the clock.

It’s not our fault.

We’re broken and every day more and more pieces of us fall carelessly to the dust.

Tears are not enough.
Nowadays they’re greatly overvalued.
They’re not worth what they were worth before,
yet, some still proclaim they are.

It’s now just you.
Sometimes just me.
No trace of us.

We aren’t innocent, but we aren’t guilty.
What destroyed us was an act of God…

C.2023, Francisco Bravo Cabrera, 28 JUL 2023, Valencia, España
(As I listen to “Goodbye Porkpie Hat” by Charles Mingus)

Os ruego me disculpéis por no atender VALENCIARTIST como de costumbre, pero estoy en una gira por el sur de mi país inspirándome en las montañas y los grandes valles y conociendo gente maja y divertida. He dejado a Omnia Caelum Studios Valencia en muy buenas manos pero son manos que no manejan el blog. Salud.

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Please forgive me for not attending to your likes and comments. I am on tour of the south of my country. Here I am seeking inspiration in the mountains and the valleys. Omnia Caelum Studios Valencia I have left in good hands that unfortunately do not blog. Cheers.

¿Quien sonríe más?

Inglés, nació en 1922, teorista y critico de arquitectura, murió en Londres en 1988… Muy conocido por dos libros que escribió: Theory and Design in the First Machine Age (1960) y el otro en 1971, Los Angeles: The Architecture of Four Ecologies. En este ultimo hace un análisis de la ciudad de Los Angeles y la identifica dividiéndola en cuatro modelos ecológicos: Surfurbia, las estribaciones, los llanos de Id, y la Autopía… Visitaba frecuentemente EEUU hasta que se trasladó a ese país en 1976… Comenzó sus estudios es su ciudad natal de Norwich y en 1949 ingresó en el Courtauld Institute of Art de Londres con profesores muy renombrados como Anthony Blunt, Sigfried Giedion y Nikolaus Pevsne… Comenzó de escritor con el Architectural Review en 1952… Banham fue profesor de la Bartlett School of Architecture, University College London de 1964 al 1976 y en la State University of New York (SUNY) Buffalo de 1976 a 1980) y durante la década de los 1980 en la University of California, Santa Cruz… Reconociendo que había que experimentar cada ciudad de la manera mas idónea y haciendo lo que mas la caracteriza, aprendió a conducir y sacó su permiso para conocer la originalidad de Los Angeles y así lo escribió en su libro sobre esa ciudad… Le hicieron un documental corto titulado Reyner Banham Loves Los Angeles (1972) dirigido por Julian Cooper… Le habían asignado una catedra en la Institute of Fine Arts, New York University, pero murió antes de llegar a ejercer en ella… Creo que para todo artista, arquitecto, o escritor, le seria interesante y útil conocer la historia de un hombre tan reconocido y renombrado como Reyner Banham. Os convido a ahondar mas en su obra y su vida…

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Reyner Banham was an English architectural theorist and critic. He was born in 1922 and passed away in London in 1988. Banham is well-known for two books he wrote: «Theory and Design in the First Machine Age» (1960) and «Los Angeles: The Architecture of Four Ecologies» (1971). In the latter, he analysed the city of Los Angeles and identified it with four ecological models: Surfurbia, The Foothills, The Plains of Id, and Autopia... Banham frequently visited the United States until he moved there in 1976. He began his studies in his hometown of Norwich and in 1949, he enrolled in the Courtauld Institute of Art in London, where he studied under renowned professors such as Anthony Blunt, Sigfried Giedion, and Nikolaus Pevsner. He began his writing career with the Architectural Review in 1952... From 1964 to 1976, Banham served as a professor at the Bartlett School of Architecture, University College London, and from 1976 to 1980, he taught at the State University of New York (SUNY) Buffalo. In the 1980s, he taught at the University of California, Santa Cruz. Recognizing the need to experience each city in its most authentic way, Banham learned to drive and obtained a driver’s license to get to know Los Angeles in its original, which he wrote about in his book about the city… A short documentary titled «Reyner Banham Loves Los Angeles» (1972), directed by Julian Cooper, was made about him. Although he had been appointed a professorship at the Institute of Fine Arts, New York University, he passed away before he could take up the position. Reyner Banham’s life and work are of great interest and value to artists, architects, and writers. I invite you to delve deeper into his oeuvre and his life.

GRACIAS – CHEERS – GRACIAS – CHEERS – GRACIAS – CHEERS – GRACIAS