
Here are two paintings from days of old. They are from my days in Miami, Fla… The first one goes back to 2005 and the second one to 2007. Both paintings are now in private collections in Europe but the images remain and the reasons I painted them as well remain. Here’s a little more about my Surreal-Expressionism and my JaZzArt.
LA VIOLINISTA

“La Violinista” is a prime example of my style, “Surreal-Expressionism”. The violinist as the every-woman-musician. She is faceless and nameless. Yet she exudes style and grace as well as a clear, and well defined, femininity. The Violinist is in motion, walking among those that look upon her and either understand her work or are perplexed by it. No one is indifferent to her as she moves. The painting, true to Surreal-Expressionism, has an abstract background where three flowers bloom and grow and form an acute triangle within the composition.
Moño Azul

An example of early Surreal-Expressionism which keeps up precisely with the precepts of JaZzArt. I was still researching both at the time, (2007), when «Moño Azul» was painted. It is done with acrylics on canvas. The background is abstract and filled with color. The principal part of the composition is the blue silhouette of a woman whose hair is combed into a bun. She is looking to the right side towards a very stylized, Egyptian-style flower. To the left of the main part of the composition one sees the more surreal aspect of the painting where a face seems to hover above a hand-drum, symbolizing the creation of music which rises, like black smoke from the drum.
So beautiful, sir.
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Thank you so much Sir!
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💙♥️
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🌹🙏🏻🌹🙏🏻🌹🙏🏻
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They are both exquisite, but thete is something about “La Violinista” that speaks to me!
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There*
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🌹
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I always loved that painting… Thank you Kristian 🌹🙏🏻🌹
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Always interesting the hear what how the artist describes his work. This is certainly no exception.
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Thank you Espie! I had been taught that artists do not need to talk, but folks do like it… happy Monday!
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Fab pictures. Strong shapes and bold colors.
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Thank you Pat!
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You’re welcome.
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