#poem, NEW YORK

(«Manhattan» Original Art Digital by Francisco Bravo Cabrera/All Rights Reserved)

I heard the chanting voices of Babel,
and memories surfaced of the days
when I painted green the shadows of Manhattan.
I had once painted skyscrapers in your garden,
and wondered if this island was our shelter.
Will we sink our raft of dreams?
Can we still swim?

Destiny’s siren’s song lied to us and lead us far from home.
Time’s reclaimed the past and we forgot our loves.
Where they real. the memories?
Or old tattoos?
Was it just a pleasure cruise we took on hope’s tall ship?
The one Manhattan’s rocky shores destroyed?
Did the East River’s winds rip through her sails?

Whatever happened to the days when we would sail upon dry leaves
that floated carelessly in the autumn wind?
Whatever happened?
Now as I step upon the sky filled with the fading shadows of home,
I am amazed at how they cast such skyscrapers
over those green pines, cedars, and oaks.

And I no longer hear the tearful voices that in Babel sang, perhaps, a song of praise.
I now wait for the sun of Indian summers in the pouring rain,
‘cause blood and skin burns with the light of dawn and I fear the pain…

There are no islands in Manhattan’s seas to shelter one from storms.
No siren ever graced these rivers that caress that ancient rock
where nightly lie forgotten drunks.
The old tattoos of sailing days have faded
in the midnight sun of brighter days,
And sad words fly in autumn’s winds ‘cause all the leaves have blown away.
.
So let us reminisce and raise a glass of chardonnay,
under the brilliance of that woman on the bay,
and pretend that this is home, here, ‘neath the earth,
where hide the shadows of the steel and glass trees of the city.
We smile, for we’ve another bottle to uncork
amidst the memories, lights and the green shadows of New York…

C.2024, Francisco Bravo Cabrera – 04 May 2024 – Valencia, Spain

#poem, «Universe» (An Euro-Ku)

(Photograph of the Aegean Coast by Francisco Bravo Cabrera/All Rights Reserved)

The line that stretches between sea and sky extends forever, and we pretend it’s the horizon,

and the line pretends it is a limit,

but the universe is limitless and endless, and each thing we see and feel are intimate parts of a perfect whole and are also infinite, although they may seem like fantasy or pretend to be reality.

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The Euro-Ku I started to develop back in very early 2022 when I truly fell in love with the idea behind the Haiku, or Japanese poetry. As a Westerner I have no experience, knowledge or history, to allow me to think and write as an Easterner, and more so, as a Japanese poet. My respect and admiration for Japan’s culture, literature and art prohibit me from mocking their traditional form and trying, from my Western European position, to write a legitimate Haiku. Therefore I invented the «Euro-Ku» that is written in the spirit of traditional Japanese poetry, but from a totally Western perspective.

The rules are simple enough. We have three verses and the Euro-Ku must be accompanied by an original illustration also property of the poet. The verses need no syllabic count but they must flow clearly and easily into each other, seeking to complete the thought. There should be no sentences that just float off into outer space and no pirouetting in the void. The message must be loud and clear in Western fashion. If you follow this simple formula you have written an Euro-Ku and perhaps you will come to understand and respect the spirit of the art that is done by peoples of other cultures and places.

CHEERS

C.2024, Francisco Bravo Cabrera – 17/07/204 – Ilica, Turkiye

#poem, NEW YORK

(«Manhattan» Original Art Digital by Francisco Bravo Cabrera/All Rights Reserved)

I heard the chanting voices of Babel,
and memories surfaced of the days
when I painted green the shadows of Manhattan.
I had once painted skyscrapers in your garden,
and wondered if this island was our shelter.
Will we sink our raft of dreams?
Can we still swim?

Destiny’s siren’s song lied to us and lead us far from home.
Time’s reclaimed the past and we forgot our loves.
Where they real. the memories?
Or old tattoos?
Was it just a pleasure cruise we took on hope’s tall ship?
The one Manhattan’s rocky shores destroyed?
Did the East River’s winds rip through her sails?

Whatever happened to the days when we would sail upon dry leaves
that floated carelessly in the autumn wind?
Whatever happened?
Now as I step upon the sky filled with the fading shadows of home,
I am amazed at how they cast such skyscrapers
over those green pines, cedars, and oaks.

And I no longer hear the tearful voices that in Babel sang, perhaps, a song of praise.
I now wait for the sun of Indian summers in the pouring rain,
‘cause blood and skin burns with the light of dawn and I fear the pain…

There are no islands in Manhattan’s seas to shelter one from storms.
No siren ever graced these rivers that caress that ancient rock
where nightly lie forgotten drunks.
The old tattoos of sailing days have faded
in the midnight sun of brighter days,
And sad words fly in autumn’s winds ‘cause all the leaves have blown away.
.
So let us reminisce and raise a glass of chardonnay,
under the brilliance of that woman on the bay,
and pretend that this is home, here, ‘neath the earth,
where hide the shadows of the steel and glass trees of the city.
We smile, for we’ve another bottle to uncork
amidst the memories, lights and the green shadows of New York…

C.2024, Francisco Bravo Cabrera – 04 May 2024 – Valencia, Spain

#poem, #prose, “Pensando” – “Thinking”

(Foto de/by Bodo Vespaciano/Derechos Reservados/All Rights Reserved)

“Para que el cielo se refleje en el mar tiene que haber luz, útil y clara, aún en la noche. La luz que se nos ha dado es para que siempre la aprovechemos.”

+++

“For the sky to be reflected in the sea there must be light, bright and useful, even in the night. The light which has been given to us is meant to be used for our benefit.”

Bodo Vespaciano

#poem, «On Roller Skates»

(«Rollers»/Francisco Bravo Cabrera/All Rights Reserved)

ON ROLLER SKATES

He was born on roller skates

I don’t remember the exact date

but it must have been one summer long ago,

he grew up as fast as light,

learned to think and learned to fight,

on a summer breeze so very long ago.

He left crumbles on the road,

never carried any load,

but he always had a place that he called home,

struggles? Sometimes, sometimes no,

wasn’t much he didn’t know,

but he never could resist the urge to roam.

Summer’s heat and winter’s rain,

fighting hard to beat the pain,

life ain’t easy when you swim against the flow,

shelter’s rare and hard to find,

when you’re odd and misaligned,

and you’re looking for the northern winds to blow.

Death came easy,

death came fast,

rest for weary bones at last.

As his ashes floated past my eyes of green,

a thought crossed through my head,

wondered which books he had read

to become the character he’s been.

‘Cause I’ve seen him everywhere,

lonely wonderer sans care,

a million stories of his life and crimes.

But him I did know very well,

yet his name I’ll never tell,

‘cause his memory’s forever in my mind…

C.2024, Francisco Bravo Cabrera/01 JUL 2024/Valencia, Spain

#poem, «OLD AGE»

(«El viejo»/»The Old Man«/Original Art Digital by Francisco Bravo Cabrera/All Rights Reserved)

“Even to your old age…I am he…who will sustain you…and I will rescue you”
(Isaiah 46:4)

Although my back’s not as straight any more,
and I don’t walk quite as quick,
I am still what I was,
though my hair’s not as thick…

In fact it’s all gray
with soft traces of white,
and I’ve left my beard grow,
I must look quite a sight…

Although every morning I sit
and I read my newspaper,
by the end of the day what I
read I can barely remember…

Every day, more and more, I see ghosts
In the streets,
Are they friends from my youth,
These strange phantoms I meet…

Yet I spend hours now thinking
of those that have left,
remembering places
feeling most bereft…

And now I don’t wander too far
from the house,
my eyesight betrays me,
my knees may give out…

I am lonely, quite tired,
and longing for rest,
fearful of eternity,
alone in my quest…

And in silence and truth
I pray to your ears,
I hope you will hear me,
I hope you are near…

Even when I am old and gray…I (will) declare your power…to all who are to come.
(Psalm 71:18)
(C.2024, Francisco Bravo Cabrera, 09 JUL 2024, Ilica, Turkiye)

#poem, #art, #prose, ANUNCIAMOS «FEATURES» – ANNOUNCING «FEATURES» en/on VALENCIARTIST!

(Bodo Vespaciano/Actor portrayal)

FEATURES en VALENCIARTIST ya ha comenzado. Esperamos que os unáis a nosotros y también que disfrutéis de los poetas, escritores, artistas y más que en la serie veréis. Los protagonistas serán entrevistados y además publicaremos sus biografías y muestras de sus trabajos artísticos.

Aquí va nuestra cordial invitación para que todos participéis.

Si eres poeta, escritor, artista o te dedicas a alguna de las bellas artes, puedes ser protagonista de FEATURES. Para unirte, solo tienes que responder a esta publicación con tu dirección de correo electrónico para que podamos ponernos en contacto contigo con la información necesaria.

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FEATURES on VALENCIARTIST has begun. Hope you join us. And we certainly hope you enjoy the poets, writers, artists and more which will be featured. All protagonists will be interviewed, a bio and samples of their work for your delight will be included.

We cordially invite you to join! If you are a poet, writer, artist or are engaged in any of the fine arts, you can be a protagonist of FEATURES. To join all you have to do is reply to this post with your email address so that we can contact you with the information necessary.

CHEERS

Political Assassinations

(«The Speech»/AI Generated/Francisco Bravo Cabrera/All Rights Reserved)

Political assassinations have probably began when politicians began exposing themselves and their ideas before the public. I cannot think of how many emperors, kings, satraps, and other political leaders have been assassinated throughout history. From Julius Caesar to JFK and now to the attempt on Donald Trump, assassins, or would-be assassins, have decided that their way was the way of getting rid of a leader and have taken their best shot.

I don’t agree with them, but it does not matter, it is part of history and one cannot change the course of history. Recently we saw the attempted assassination of the Slovak Prime Minister and not too long ago (2021) we saw the murder of Haiti’s president, to name just a couple. And now Trump becomes the target. Ironic…

Trump, who thinks everyone in the US should own whatever type of gun (firearm) they want, no restrictions, who is heavily endorsed, and financed by the NRA, who has incited so much violence and created such divisions throughout the US, now becomes the target of a lunatic, twenty year old, with an AR-15 assault rifle. A man with no regards for human life for he fired at least eight rounds into the crowd, lamentably killing one man.

There is no condoning the barbarous act of cowardice committed by this young, would-be assassin. However, one has to think that his would-be target, who has espoused hatred, has offended his rivals and many, many others, has dehumanised immigrants and demonised political opponents, might also stir up the same sentiments in someone completely on the other side of his politic and of sanity.

People look for motives, but motives for crimes are not important in criminal law. This shooter committed a grievous crime and whatever motive he had is really not that important. What motive can rationalise such a brutal act?

CHEERS

#art, «Celita» Recordando a Celia Cruz – «Celita» Remembering Celia Cruz

(«Celita» de/by Francisco Bravo Cabrera/Derechos Reservados/All Rights Reserved)

Este cuadro, de mi colección particular, lo pinté en 2003 y fue expuesto en una galería de Estambul, pero nunca quise venderlo. Es mi homenaje a la gran cantante cubana, Celia Cruz, la «guarachera de Cuba». Lo pinté pocos días después de su muerte el 16 de julio de 2003. Celia Cruz fue una gran cantante y embajadora de la música salsa cubana que cantó por el mundo entero y lo hizo con decencia y orgullo, pero jamás dándole crédito alguno a los comunistas que desgobiernan Cuba. Celia abandono la isla esclava en 1960, sabiendo que nunca más regresaría y vivió en Nueva York hasta su muerte. No puedo pensar en una artista mas digna para hacerle un cuadro de JaZzArT, surreal-expresionismo. Por eso no lo vendo.

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I painted this painting, which now belongs to my private collection in 2003. It was exhibited in a gallery in Istanbul, but I never wanted to sell it. It is my tribute to the great Cuban singer, Celia Cruz, the «Queen of Salsa.» I painted it a few days after her death on July 16, 2003. Celia Cruz was a remarkable singer and ambassador of Cuban salsa music which she performed all over the world with decency and pride. But she never gave any credit to the communist who rule over Cuba and have hijacked the country’s true destiny. Celia left the enslaved island in 1960, knowing she would never return, and lived in New York until her death. I cannot think of a more worthy artist for me to create a JaZzArT, surreal-expressionism painting for. That is why I do not sell it.

GRACIAS – CHEERS