JaZzArT
I think I’ve said these things before, but for those who have not read previous posts, I would like to explain about my art. My work is shaped by the three core principles of Jazz: improvisation, the artist as composer, and swing (meaning rhythm). Though I begin with planning and sketches, I ultimately allow the piece to “speak” as it evolves. Guided by intuition and response, each composition completes itself in its own rhythm—moving, shifting, and swinging with the same freedom and vitality that define Jazz.
JaZzArT…(which is what I call my art, especially my drawings)…is born from the spirit of Jazz, i.e. its improvisation, its insistence that every player is also a composer, and its unmistakable swing (rhythm) that turns sound into motion. I carry these principles into my visual art. While each piece begins, like I said, with a plan and a vision with many sketches, and a sense of direction, I never ask a work to remain confined to the first idea. Instead, I invite it to converse with me. And it does. It speaks and I listen…
As colours meet, lines shift, and gestures find their own momentum, the artwork begins to reveal its own logic, its own pulse. This creates a dialogue to the which I respond immediately, allowing the composition to reshape itself, to expand, and to surprise me. Even mistakes, like the ones Bob Ross called “happy accidents”, serve to enhance the composition. What emerges is not simply an image but a moment of co-creation: part structure, part choreography, and not of truly of chance, but to controlled spontaneity. If this sounds like a contradiction in terms, just think of it as “relaxed concentration.”
In the end, every piece must swing with energy. Every painting/drawing must be alive and must represent the spirit of the day, the times, the epoch. The work must be true to the moment of its making, if not it is dead in the water (as we said in the Coast Guard). My art becomes a visual guitar riff, a dance between intention and improvisation, where the final form is discovered rather than dictated. This is the essence of JaZzArT: creation that listens as much as it speaks, and finds its reality by following the music within.
ARTIST STATEMENT
JaZzArT emerges from the elemental language of Jazz—its devotion to improvisation, its recognition of the maker as both player and composer, and its subtle, irresistible rhythm (the old jazz players called it “swing”). These principles guide my hand as rules as well as currents. Each work begins with structure: sketches, notes, the clear architecture of an idea. Yet the moment the piece takes shape, the dialogue shifts.
In the studio, I listen. Colours scream out, lines hesitate or push forward, forms lean toward one another in ways I would have never imagined. The work guides itself towards its chosen direction, gently…and at times quite violently…undoing my certainties. I follow these impulses as one might follow a tune, trusting my instincts, (and yes, humans have instincts), allowing the never imagined to surface.
What results is not predetermined; it is discovered. The composition forms itself through its dialogue with me. Sometimes it dances with folkloric charm or syncopated rhythms, but it always seeks that intangible condition I think of swing. This vitality cannot be forced, but it can be invited.
JaZzArT is my way of honouring the moment of discovery. It is art shaped by intention and intuition and by attentive listening. I believe a work comes fully alive only when it’s allowed to guide its own becoming. Through each piece, I seek to create a visual experience that invites viewers into that same sense of movement, spontaneity, and quiet revelation.
CHEERS
JaZzArt en València 